And suddenly, there it was – gone! July 16th 2016 – the absolutely final day of A Midsummer Night’s Dream: A Play For The Nation. The evening needed to be a little bit special and fortunately it was. This had been such a big theatrical event that some form of closure was absolutely essential if there weren’t to be dozens of gibbering wrecks around the country.
Many of the amateur teams had been finished for some time but our performances had only been at the beginning of the same week; so we hardly had time to draw breath before the end was upon us. Our previous “ending” at the Barbican had produced a massive comedown and while this one wasn’t quite so severe (there being only two performances for us to give at the Royal Shakespeare Theatre) the pangs were still quite sharp and lasted a couple of days. The real “downer” (for me anyway) was in the days immediately following the last night at Stratford but as I don’t want to dwell on the negatives let’s concentrate on the upside of our final Dream day.
On this last Saturday our team all made its way back separately to Stratford. I had been having a couple of days r and r in a wonderful country house hotel quite nearby so I was back in Stratford by lunchtime. I had thought about getting a ticket for the Swan Theatre to see a performance – after all I had nearly inadvertently appeared there a few nights previously – but, of course, this is Stratford upon Avon on a Saturday afternoon in the middle of the tourist season so there really wasn’t a ghost of a chance. Instead I headed for
The Dell the RSC’s outside performance space and scene of the fairy portal camp/flashmob a few weeks previously. Playing here was group called the Handlebards (sic) a group of four peripatetic young women (there is an equivalent all male group too). Their USP is that they are cycling from London to Fife between July and September stopping off and giving performances of Romeo and Juliet and The Taming of The Shrew en route carrying with them “all of the necessary set, props and costume to perform extremely energetic, charmingly chaotic and environmentally sustainable Shakespeare plays”.
Well this sounded like fun and indeed it was. I expected a highly truncated version of Romeo and Juliet but not a bit of it. Most of the dialogue was intact though it tended to be played for comedy rather than any lasting seriousness; that’s not a criticism, as on a rare hot afternoon this was far more suitable for the casual audience who lounged on the grass in front of the rudimentary stage. Best described as “rough theatre” some of the staging was quite delightful. Instead of swords, bicycle pumps were utilised and the costumes were suggestive of character rather than attempts to provide anything full on. I was often reminded of the Rude Mechanicals’ attempts to mount a serious version of Pyramus and Thisbe only for them to find it falling apart around them. The cast worked extremely hard covering nineteen roles between them. They all had their moments but I was particularly taken by Lotte Tickner as a bawdy Nurse, a lisping Prince, a meowing Tybalt (“king of cats”), and a water spray wielding Friar John (long story – don’t ask). The performance finished only fifty minutes before they were due to do it all again (and then Shrew twice on the Sunday). They must be physically very fit but I suppose if you’re cycling all that way between shows then you probably will be.
After a last group meal at the Dirty Duck with most of the rest of the Tower team, it was time for that momentous last performance which was to feature Belfast’s Belvoir Players. As well as ourselves there were a goodly number from quite a few of the other amateur companies in the audience and for those unable to get a ticket the local Bear Pit group was hosting a pre after show party (!) at their theatre. It was strange to listen to all the lines slipping away one by one – never to be spoken again as part of this particular production – especially those of the Mechanicals. That’s the nature of theatre though, it is immediate and in the moment and needs the live audience element to really make it work (I confess to having some ambivalence towards cinema showings of “live” productions, though have certainly used them to see things I might otherwise have missed). It was particularly joyous to see the children in this last performance as they were from a local Special School. Here was the RSC really demonstrating inclusivity and, of course, just a couple of days earlier they had given their first Shakespearian “relaxed” performance for an audience including people with an Autism Spectrum Condition, sensory and communication disorders, or a learning disability.
The last few minutes of the play definitely brought a lump to the throat and the final lines (delivered by Lucy Ellinson as Puck) were particularly pertinent calling, as they do, for audience approval; it can certainly be claimed that the project as a whole achieved that. There was a burst of fervid applause, the performers took their last curtain call, flowers were thrown on to the stage and then suddenly the houselights were up and the show was over not for just that night or even that week but for ever. I confess I stayed in my seat for some minutes gathering my thoughts and contemplating what a fantastic journey we (the amateurs, the pros, the schoolchildren, the directors, the creative, technical and support staff) had all been on. Unbelievable, truly remarkable and absolutely unique.
And so to that traditional staple – the after show party. This was somewhat bigger (250 people plus) than the customary am dram affair, which is often squeezed in during the small hours after a backbreaking period of set striking and theatre clearing. None of that for us this time so it was straight off to the RSC’s studio theatre The Other Place which had been cleared for the occasion. It was a lively noisy affair populated by a myriad of Mechanicals as well as the professionals and everyone else associated with the production. RSC Artistic Director Greg Doran said a few heartfelt words about the project’s beginnings, the RSC’s hopes about what would come to pass and their huge delight at what had been achieved. Then he handed over to Erica who spoke with her customary charm and eloquence about what the project had meant to her and how she hoped it had touched all of our lives – don’t worry about that, it definitely has. She also speculated on what the future might bring and how although the Dream project really could not, would not and even should not be repeated the elements that made up its constituent parts should be encouraged to thrive and prosper. The project was declared officially over, Chris Nyak (Demetrius) presented Erica with a huge framed picture containing images of every adult who had appeared on stage in the run and then a short video featuring the amateurs was shown in which Erica and her team were thanked through the rewritten words of the song “Time Of Our Lives”. This was the videoing referred to in the last post and was co-ordinated by Nottingham’s Becky Morris; it was a bit of fun but I also thought it was entirely in the spirit of the early rehearsals in which all shared via the medium of video.
After that it was eating, drinking, dancing, anecdote swapping, photo taking and general revelry until the small hours.
Eventually I found myself back at the Falcon hotel wondering how anything could top the experience we had all been through. I’ve met so many wonderful people over the last year – brilliant Bottoms, fantastic Flutes, sensational Snugs, superb Snouts, superlative Starvelings, quite awseome Quinces and dazzling directors. Not to mention the preeminent professionals, the terrific technicals, commendable creatives, a stupendous support team and everyone else connected with this truly magnificent project. Above all these people, however, sits one courageous and life affirming individual – all hail Erica Whyman and her “most rare vision.”
That’s nearly it for this blog, folks. Just one or two more posts and that will be another Dream over. In case I forget to say it later – thanks for keeping me company
The Dream is now over. To find out more about the 14 amateur companies which took part, click on the side bar to access the page on each location.