First an apology; what with one thing and another, I’ve got a bit behind with this week’s post. (See what I did there?… Bottom! Behind! Oh, never mind!) And so I’m indebted to two of my fellow Mechanicals (Trevor and Adam) for providing me with the “meat” of this particular outing.
Last week A Midsummer Night’s Dream: A Play For The Nation crossed the water to Belfast. I still find the logistics of the whole enterprise mind boggling and to have played successfully in so many venues with an ever changing cast means that the agenda underlined by the production’s subtitle has been well and truly met. Congratulations, once again, to any and all of the people involved in making it happen not just once but 103 times – so far. As you will have already worked out that means the production’s century has now been achieved. Last Thursday evening’s show was, indeed, the 100th and although I wasn’t there I know a man who was. Thanks to my colleague and fellow Bottom, Trevor Gill of the Belvoir Players for the following:
On Thursday 2nd June the Grand Opera House Belfast had the great honour of hosting the 100th performance of Dream 2016. Our fabulous Stage Manager Jenny Grand made a special tannoy announcement just before curtain up. A fitting standing ovation that night – the Belfast audience in full roar! Highlight was the wonderful Puck (Lucy Ellison) who with the help of some white paper, sellotape and ribbon magically turned her top hat into a pint of Guinness.
Thanks Trevor and I’m betting that one or two glasses of the real thing were raised in celebration later that evening.
And so it was that just three performances later, the end of the UK tour was reached with Belfast again the venue for another special night. At one time I had hoped to be there to witness proceedings at first hand but, alas, this was not to be. However, being younger than the rest of us old Tower fogies, Adam did make the trip and has kindly penned the following to give us all a flavour of that last night across the Irish Sea:
A hire car, a wedding, three trains, a flight and two buses. That’s how I got from London on Friday morning to Belfast on Saturday afternoon ready for the penultimate instalment on the nationwide tour of the production. A month in Stratford Upon Avon is all that remains after Belfast so there was very much a ‘breaking up for half term’ feeling amongst the Dream 2016 gang.
Converging from across the country were a Bottom and Quince from Glasgow, a Bottom from Bradford and almost the entire rude mechanicals from Norwich, all intent on joining up with the Belvoir Players and the professional RSC troupe to celebrate the (first)last night.
And so to the play and the fantastic Belfast actors and accents on display. Having seen three versions (including ours) in performance now, and a whole host of others in rehearsal, there is no doubt that each of the mechanicals’ takes are unique with vastly different interpretations but all thoroughly interesting to watch. And in every town the local audiences shriek with delight at their native lads and ladies in action. I must make special mention of my fellow Flute, Chris Curry, who was as truthful a Thisbe as they come.
As for the professional actors, it was a pleasure to see them again. It had only been two weeks since the curtain came down on our last show in London, and despite it feeling longer than that to me, it was like meeting up with old friends instantly. And testament to their professionalism, their 103rd performances included energy, attack and a freshness that is no mean feat to muster especially considering how tired they all must be. Lucy Ellinson, our wonderful Puck, for example, appears to have learned from each and every show and each and every audience, resulting in a performance that gets better and better every time it is let loose on the stage.
After rapturous applause it was on to the ‘half term’ party to celebrate what had been an excellently well received tour of immense quality. Credit to Trevor Gill, Belfast’s finest Bottom, for organising a great shindig with much dancing, drinking and merriment. The only shame was that licensing laws in Belfast meant the lights came up and the music stopped far too early for anyone’s liking, but that failed to dampen a wonderful evening. No-one can deny… she is indeed handsome, she is indeed pretty, she is the Dream in Belfast City.
Many thanks for that account Adam and I hope it wasn’t quite so convoulted getting back to London again.
And so, that was the tour that was. Working with just about the THE most preeminent classical theatre company in the world, dozens of amateur actors/Mechanicals and hundreds of schoolchildren/fairies have had the honour of performing in front of thousands of playgoers. That, as I am sure you are aware, though, is not quite the end. This week the production is on a well-deserved sabbatical but very soon the professional cast will reconvene in Stratford upon Avon for a further month of shows. During this time each of the 14 amateur companies (plus yet more local schoolchildren) have been invited to the RSC home to take it in turns to perform once again on the stage of the Royal Shakespeare Theatre. It just keeps getting better doesn’t it? The plaudits the show has received as it has travelled the country have ensured that ticket sales in Stratford are already extremely healthy so it looks like we’re all in for another great time once it gets to each of our turns. For a schedule of these upcoming performances please click here.
Following a really memorable week at the Barbican, our Stratford turn comes in the very last week of all. While this will inevitably be tinged with sadness we really can’t wait to get cracking again. Wish us luck and hopefully see you in July!
The production is on a week’s break and recommences on 15th June in Stratford upon Avon. Click on the image below for the full schedule
Tower Theatre‘s current production is