The thing about “show week” is that everything goes out of the window – eating habits, sleeping patterns, household chores….work! If that has proved true in the past then it is doubly so with A Midsummer Night’s Dream: A Play For The Nation. The work aspect is relatively easily dealt with – we knew we’d be doing this for over a year and that taking holiday would be essential. The household chores can be put into suspended animation for a week. But the eating and the sleeping? They are pretty vital for keeping on top of the game and yet mine seem to have gone to pot. Ah well – you have to suffer for your art.
So it was that Thursday morning dawned (literally) very early. At least this gave me an opportunity to answer some of the well-wishing messages which had been flooding in over the earlier part of the week. After another quick natter with Bradford Barry (see yesterday) he took himself off for a meet up with Lucy before travelling home. A thoroughly delightful and undemanding house guest – see you in Stratford, Barry. Then it was off to the theatre. Within moments of arriving two more “firsts” for me. First time being asked for an autograph from an audience member who had seen the show the previous night and now had picked up a ticket for another look on the following day (thanks glutton for punishment) and first time for flowers at the stage door (thanks family)
It was a double fun day on Thursday with two performances to give. This meant another relatively early call as the matinee start time was at 1.00. The afternoon performance had a number of school parties in and we had been warned to be on our toes. All I can say is that the children in the audience were impeccably behaved – a credit to their schools and teachers and fully immersed in what was going on. They loved Pyramus and Thisbe – plenty of visual humour there, of course and one particular move I made nearly brought the house down.
In the post show (or pre show – depending how you look at it) lull I had an interview with Holly Williams of The Independent. The questions were pretty much par for the course and I enjoyed talking about the project. At the same time I was being a little wary of preserving my voice. We have actually had little by way of press coverage/reviews on the London leg. The national press (quite rightly) covered the opening in Stratford some weeks ago and local papers as such, have not continued in the capital as they have in other areas of the country. There was a piece in Time Out but this somewhat oddly took the view that the project wasn’t a success because the amateurs were too good – go figure! Other than this there have been a small handful of online blog reviews but nothing of any great significance.
The evening performance soon came round and this one really seemed to fly. Sometimes the rapport between audience and actors is so instant that a real bond is formed; everyone is there to have a damn good time and nothing is going to stop them. Al took a serious tumble in the chase sequence but seems not to have done any permanent damage and I got a bit too close to Maria’s eye when I connected with her cheek while I was wrestling the sword from Adam but otherwise it was fun all the way. I felt really comfortable with the Titania scenes – Ayesha boosted my confidence no end by making some very complimentary remarks just before we went on. And as for Pyramus and Thisbe –I think a couple of minutes must have got added on to the running time because of the howls of laughter; I nearly found myself corpsing (unintentionally breaking character by laughing) myself at one point and had to employ the well-worn “biting the inside of the cheeks” methodology to prevent this. What an absolute joy to hear about 1,000 people so enjoying themselves. The curtain calls brought yet more tears to the eye (“I will move storms!”)
Post show there was a Q and A session led by producer Ian Wainwright. Mercy and Lucy from the pro company, Miles from the RSC education department and Erica joined us on stage for half an hour of discussion. There was a particularly moving statement from David Dickson the Head of Eastbury school whose pupils had been on stage at the two performances that day. He spoke eloquently about the effect that the project has had on raising his school’s literacy levels not only for those directly involved but for the other pupils too; truly great to hear. If anyone still doubts the need to take Shakespeare out from behind the desk then there is your answer. And on that heartwarrming note the day was just about over – time to catch up on all that missing sleep!
This week the production is at the Barbican in London– click on the image below to reveal full details.
Evenings at 7.30 Tuesday 17th – Saturday 21st May
Matinées at 1.00 Thursday May 19th & Saturday May 21st